Isaac de Moucheron (Amsterdam 1667 - 1744) circle
Renaissance garden with chivalric festival
Oil on canvas
70 x 98 cm. - Framed 106 x 133 cm.
Complete details of the work (click HERE)
We present this pleasant composition, where a sumptuous Italian garden serves as the stage for a show among knights, specifically a carousel, a type of equestrian and theatrical event popular in European courts between the 16th and 18th centuries, where costumed knights performed skill exercises on special occasions.
The composition is dominated by two knights in the foreground who seem to be waiting to perform on their steeds, while behind them others await their turn, dressed in ceremonial attire, red and gold cloaks, and elaborate headdresses.
The scene depicts a court event, as was common in historical Italian gardens and villas: such events were often staged to celebrate weddings, royal visits, or other important occasions, as we can imagine from the presence of two trumpeters in the foreground announcing the participants with the sound of their instruments, adding a sense of grandeur to the depicted event.
In the background stands a light stone architectural structure of Renaissance taste with sculptural figures on top, surrounded by the garden's vegetation, reminiscent of a monumental fountain or a palace facade. A couple, perhaps royalty, is positioned in the center as if on a throne, flanked by other figures observing the spectacle.
The painting captures the festive and ceremonial atmosphere of such courtly entertainments.
The work, likely depicting a real place, is certainly inspired by one of the many gardens that adorned the grand villas on the hills between Florence and Rome. Our author must necessarily have drawn inspiration for the setting from the famous series of prints titled "Fountains of Rome" (1680) by Giovanni Battista Falda (1643-1678), some of which we include in the photographic details.
Thanks to the stylistic characteristics of the work, undoubtedly adhering to 17th-century Flemish culture, we are inclined to attribute the hand to one of the Northern painters who came to the Eternal City for study. In particular, there are many iconographic and stylistic correspondences with a specific iconographic trend taken up by the Fleming Isaac de Moucheron (Amsterdam 1667 - 1744) precisely during his Roman sojourn, and the author could therefore plausibly be sought within his circle.
ADDITIONAL INFORMATION:
The painting is sold complete with a pleasant gilded frame and is accompanied by a certificate of authenticity and a descriptive iconographic sheet.
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