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Mourning over the Dead Christ with Saint Francis of Assisi - Attributed to Baldassarre Carrari and Bartolomeo Ramenghi

Codice: 453359
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Auteur: Baldassarre Carrari il Giovane e Bartolomeo Ramenghi (attr.)
Epoque : XVIème siècle
Catégorie  : Religieux
Exposant
Antichità Perla Patrizio Perla
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Via Emidio Luzi 18 A, Ascoli Piceno (AP (Ascoli Piceno)), Italia
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Mourning over the Dead Christ with Saint Francis of Assisi - Attributed to Baldassarre Carrari and Bartolomeo Ramenghi 
Description:
Author: Attributed to Baldassarre Carrari the Younger (Forlì 1460-1516) and Bartolomeo Ramenghi known as il Bagnacavallo (Bagnacavallo 1484-Bologna 1542) Dimensions: 147x127 cm Materials: Oil on panel A valuable painting executed in the technique of oil on panel, depicting the sacred iconography of the Mourning over the Dead Christ enriched by the devotional presence of Saint Francis of Assisi. The work is distinguished by a choral composition of great emotional impact, where the lifeless body of Christ is surrounded by the sorrowful figures of the Virgin, the holy women, and the disciples, rendered with a gesture laden with pathos. The formal characteristics show a masterful handling of volumes and a chromaticism typical of the Forlì and Bologna school of the early 16th century. The pictorial execution highlights soft chiaroscuro transitions and meticulous attention to the details of drapery and physiognomy, elements that point to the collaboration or mutual influence between masters of the caliber of Carrari and Ramenghi. The style of the work reflects the transition between the High Renaissance and early Mannerist instances, with cultural references linked to the devotional painting of the Emilia-Romagna region. The presence of Saint Francis, inserted into a historical-evangelical context, suggests a commission linked to mendicant orders or a particularly heartfelt private devotion. The work is datable around 1512, a period of full artistic maturity for the cited painters. The panel has monumental dimensions (147x127 cm), which underline its importance and probable original destination for an altar or a noble chapel. The state of conservation is compatible with the era; the work is accompanied by official Expertise documentation attesting to its attribution and historical-artistic value.