Vienna, c.a. 1820-25. Extraordinary in their modernity, an elegant and intact pair of chairs from the finest Viennese Biedermeier designers, attributable to Joseph Danhauser or his immediate circle (model no. 131, with very slight differences, possible customization or even an evolution from the original 1815 design - see miniature within the second inserted photo for easy comparison). Veneered in blonde walnut feather combined with walnut burl on a maple wood structure (typical of J. Danhauser). Vienna 1825-30. Height 90.5 cm, seat height 49 cm. The pieces are in a state of integrity, including the seat upholstery which has only been re-covered with luxurious blue fabric in the Empire style. Consolidated and with a shellac finish applied by tampon with museum-standard technique. In a first, warm amber patina.
In the miniature is the original design drawing of model 131 chair by Joseph Dahnauser (property of the Museum of Applied Arts in Vienna, visible by appointment).
Giuseppe Danhauser Ulrich (born March 14, 1780, in Vienna; died January 9, 1829, in the same city) was a brilliant designer and the finest producer of Biedermeier furniture. He operated in Wieden, Vienna. His clients included the highest nobility, the royal family, and the upper bourgeoisie.
Observe the second photo of this listing, which is a computer simulation of fancy where the work is imagined in a high-end modern furnishing context. Striking "modernity," luminosity, and abstraction emerge for a work conceived over two centuries ago. With a great touch of class and elegance to the overall effect. The high-end antique Viennese cabinetmaking of the Neoclassical period (1770-1830), with its sober and minimal elegance, and precious, light woods, pairs very well with the lines of contemporary modern furniture.
A perfect unique piece as a focal point for high-level contemporary interiors.
The early design of the Viennese masters of early Biedermeier = clean lines, lightness, precious wood veneers, excellent craftsmanship. Modest dimensions and compatibility with modern apartments. A feeling of everyday elegance and functionality. Perfect for minimalist contemporary interiors. A unique piece for discreet and refined luxury. For these reasons, in addition to their rarity, original, intact Viennese pieces from the period, prototypes of modernism, are destined to increase significantly in economic value over time and also represent a perfect form of investment.
In accordance with the provisions of the New Cultural Heritage Code, the selling company provides detailed written photographic guarantees of originality and provenance of the works sold simultaneously with the sale. The data used to describe the works and subsequently contained in the written guarantees are express determinations resulting from accurate and documented technical/historical/artistic investigations, including expert appraisals. Copying and duplication for commercial purposes or for describing other works for sale, even if deemed somehow similar, are prohibited.
Recognize true early Viennese Biedermeier and distinguish it from later or Northern European imitations! Read the history of this elegant and sober style and learn to evaluate timeless Viennese masterpieces from designers between 1815 and 1830! Click on the following link to read our unique, unpublished, concise practical guide, with links and a virtual tour of museums and galleries in Vienna:
Principessa Sissi ® Antichità. High-end Antiques and Antique Experts in Udine
Our gallery of true early Viennese Biedermeier by designers, unique in Italy, at the top in Europe. Click on the following link to visit it:
Principessa Sissi ® Antichità. High-end Antiques Gallery
The gallery of our antique chairs. Click on the following link:
Principessa Sissi ® Antichità. High-end Antiques Gallery in Udine
The early design of true early Viennese Biedermeier from our gallery in stunning simulated furnishing fantasies. An unpublished, unique, and interesting overview. Click on the following link
Simulazioni moderno.pdf
P.S. Observe the same model of chairs above, in the center of a painting from the Biedermeier era (not our property - property of Vienna Museum - published for documentary and cultural reasons only).
