Apertura ricerca...
Exclusive

Faun, Nymph and two putti, Pietro Liberi (Padua 1605 - Venice 1687) follower of

Codice: 444425
5.500
Aggiungi ai preferiti
Author: Pietro Liberi (Padova 1605 - Venezia 1687) seguace
Period: Early 18th century
Category: Mitologico 18th Century Paintings
Dealer
Antichità Castelbarco
View all dealer's items
Viale Giuseppe Canella, 18, Riva del Garda (TN (Trento)), Italia
+39 0464 973235
+39 333 2679466
http://WWW.ANTICHITACASTELBARCO.IT
Faun, Nymph and two putti, Pietro Liberi (Padua 1605 - Venice 1687) follower of  Translated
Description:
Pietro Liberi (Padua 1605 - Venice 1687) follower of Faun, Nymph and two putti Oil on canvas (62 x 82 cm. - In frame 85 x 104 cm.) Full details of the work (click HERE) The subject of the painting, drawn from Greek mythology, shows a faun, a mythological figure half man and half goat originating from Arcadia, in a moment of family intimacy with a nymph and two putti. Although there are no specific references, it could be the family of the God Pan, lying in the foreground on the left intently playing his traditional flute made of bamboo reeds, with his wife the nymph Echo and their two young children, Iunge and Iambe, one of whom is holding a wineskin or a vase, perhaps of wine, from which the other is drinking. The scene is characterized by a bucolic atmosphere, typical of mythological representations of the time, expressing a climate of festive cheerfulness and a hymn to lightheartedness. It represents an idealized vision of natural and primitive life, far from the ideals of dissolute life often associated with the figures of satyrs and fauns, embodying here a domestic and protective dimension, elevating the mythological creature to a symbol of natural virtue and family stability. The work was probably intended for humanist circles, where the theme of "life according to nature" was the subject of philosophical debate, contrasting the purity of natural instincts with the corruption of social conventions. The analysis of the painting allows us to place its execution in the Northern Italian school, carried out by an artist from the Venetian area active between the 17th and 18th centuries, and in particular an heir to the school of Pietro Liberi (Padua 1605-Venice 1687), who was always interested in themes related to myth. Among the greatest exponents of Baroque art in Italy, a skilled painter who was a disciple of Padovanino as well as the father of another important painter and epigone, Marco Liberi. Liberi created important fresco cycles but also altarpieces and numerous profane easel paintings; the latter are particularly similar to the one in question and highly sought after and appreciated by contemporary collectors for their elegantly sensual and erotic themes. His formal elegance and pictorial softness are enhanced in mythological scenes like ours, characterized by sensual and classical nudes. ADDITIONAL INFORMATION: The work is sold complete with a pleasant gilded frame and is accompanied by a certificate of authenticity and guarantee. We handle and organize the transport of purchased works, both for Italy and abroad, through professional and insured carriers. It is also possible to see the painting in the gallery in Riva del Garda, and we will be happy to welcome you to show you our collection of works. In case of purchase of the work by non-Italian customers, it will be necessary to obtain an export permit, which takes approximately 10/20 days. Our gallery will take care of the entire process until it is obtained. All costs for this procedure are included. Contact us, without obligation, for any additional information. Follow us also on: INSTAGRAM https://www.instagram.com/galleriacastelbarco/?hl=it FACEBOOK https://www.facebook.com/galleriacastelbarco  Translated