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Madonna and Child with Saint Catherine of Alexandria, Saint Barbara, and rejoicing angels

Codice: 404245
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Period: 16th century
Category: Religious
Dealer
Andrisani Dott. Federico
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Corso Vittorio Emanuele II 94, Padova (PD (Padova)), Italia
+393474842906
+393474842906
http://www.federicoandrisani.it/
Madonna and Child with Saint Catherine of Alexandria, Saint Barbara, and rejoicing angels  Translated
Description:
Madonna and Child with Saint Catherine of Alexandria, Saint Barbara, and rejoicing angels Period: Late 16th century Attribution: Antwerp School Technique: Oil on panel Frame: Antique gilded wood Dimensions: 70 x 105 cm This splendid oil painting on panel, attributed to the Antwerp School of the late 16th century, depicts the Madonna with the Child Jesus enthroned, surrounded by Saint Catherine of Alexandria and Saint Barbara, along with a choir of rejoicing angels. The iconography is typical of the Flemish religious tradition, characterized by a meticulous execution of details, vivid colors, and a solemn and sacred atmosphere. The Madonna, at the center of the composition, is depicted with a sweet and spiritual beauty, wrapped in a blue and red mantle, while holding the Child Jesus on her lap. The Child is depicted in a blessing gesture, surrounded by an aura of divine light that symbolizes his saving nature. To the left of the Virgin is Saint Catherine of Alexandria, recognizable by the crown and the palm of martyrdom, symbols of her royalty and sacrifice. To the right stands Saint Barbara, with the symbolic tower that refers to her martyrdom and her status as patron saint against lightning and explosions. Above the scene, angels flutter in the sky, scattering flower petals, celebrating the glory of Heaven and contributing to creating an atmosphere of exultation and divine joy. The chromatic palette, rich in golden, red, and green tones, gives the work a vivacity typical of Flemish painting, while the rich and voluminous draperies add a strong sense of movement. This work represents a refined example of the Antwerp School, where the combination of sacredness, formal elegance, and bright colors creates an image of great spiritual and artistic strength. Perfect for a private collection of sacred art or for the decoration of a liturgical environment, the work best expresses the emotional intensity and devotional depth of Flemish painting of the late Renaissance.  Translated