Vienna, possibly Joseph Danhauser's furniture factory, 1815-20 or his immediate circle. Very rare early Biedermeier sofa.
Description:
Let's start with our fantasy computer processing where the work is electronically inserted into a high-end modern furniture context; a surprising "modernity" that overcomes the time of a work conceived two centuries ago. In this simulation, also observe the power of abstraction of the work in relation to the context. This is another typical characteristic of Joseph Danhauser's furniture/design creations and projects or in any case of Viennese high cabinet making of the early Biedermeier period.
Vienna, approx. 1815 - 20. Of rarity and museum importance also due to the conditions of integrity. Very rare Biedermeier sofa close to Joseph Danhauser or possibly himself, with a "futuristic" line, finely veneered in the best quality walnut feather, with masterfully "opposed" slabs. Armrests designed with an eagle's wing motif, clearly inspired by classical antiquity, masterfully threaded in maple wood. The decorative details are typical of Joseph Danhauser's workshop in the first phase of his production, including the "beads" with which the sides of the backrest end and the circular applications and the use of the eagle's wing motif (in the sides), in the empire style, in this case overturned towards the inside.
The work is in practically intact condition, with patina, consolidated and with a shellac finish applied with museum standard technique. Vienna, probably Joseph Danhauser's furniture factory, 1815 - 20. For a similar sofa but not of this beauty, see MAK - Museum of Applied Arts in Vienna and the national collection of the Republic of Austria at the Albertina. Upholstery largely original, sanitized and covered with refined dark anthracite satin with details made with gold-colored cords. From the warm golden amber color of the antique patina of blonde walnut with a shellac finish.
W. 177, D. 64, H. 94, seat height 43. Obviously, on request, the back of the work deliberately left uncovered by the upholstery fabric to appreciate the originality of the upholstery, can be covered on request, for insertion in a "central" context.
Joseph Ulrich Danhauser (1780-1829), a great Viennese cabinet maker, sculptor and designer, documented his range of products in a vast designed catalog, parts of which (approx. 2,500) have survived the times and are now kept in the MAK (Austrian Museum of Applied Arts in Vienna). This catalog includes, among others, 153 models of chairs, 56 sofas, 179 types of chandeliers and 124 curtains. All these models were numbered consecutively. He boasted a high-ranking clientele from all over the Austrian monarchy and Germany. The exceptional quality and uniqueness of Danhauser as a furniture creator lies in the harmonious combination of concreteness and abstraction, functionality and emotion. Thus he assumed the role of mediator between individuality and anonymity and became one of the most important inspirations for the modern avant-garde movement. The Danhauser factory was founded in 1814. It is a point of reference in the history of design and furniture. His very rare original creations that have survived the times are kept in a few museums, castles, important antique dealers or prestigious private collections, mostly noble.
In accordance with the provisions of the New Code of Cultural Heritage, the selling company provides together with the sale a detailed written photographic guarantee of originality and provenance of the works sold. The data with which the works are described and then contained in the written guarantees are expressed determinations resulting from accurate and documented technical/historical/artistic investigations of expert importance.
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